The Echoes series examines personal objects as quiet witnesses to a life lived, long after the body has disappeared. Through morphological studies of my mother’s belongings, I treat these items as both sculptural forms and carriers of memory. Once tools of travel and domestic labor, they now function as enduring archives of presence, holding the marks of use, care, and time. These works reflect on inheritance and impermanence: how ordinary possessions outlast their owner, preserving fragments of identity while shifting from usefulness to remembrance.
